A group of classical and semi-classical musicians, dancers, instrumentalists, and sound engineers banded together to work on a conceptual album of nine ghazals written by singer Nisha Satpute.
Multi-instrumentalist Shreyas Iyengar observed and imbibed the spirit of all the events unfolding across the world, in his debut record Tough Times.
Stepping into a method actor’s shoes, rapper/producer Ujjval Suri aka UJJY decodes his creative process in an interview with A Humming Heart.
Revisiting the songs from Still As You, which married dreamy electronica with their rock roots, allowed the Kochi four-piece Black Letters to get back to basics.
Sanjeeta Bhattacharya has not only been performing remotely but has also been releasing a steady stream of singles while collaborating with several indie favourites.
Forbidden Fruit consolidates Dolorblind's footing as one of India's budding producers more firmly in the burgeoning electronic space.
Between the piano-inflected soulful Flicker and the far-less-vulnerable EP Diamond, Shivum Sharma has crystallised a distinct sound denoting unmistakable growth.
Displaying wide range, chalo presents a contemporary, near-exhaustive picture of intersecting South Asian sounds, a platform for which is inexplicably, largely lacking.
The album Ye Hai Baghawat by Bengaluru-based rappers Agaahi Raahi, Nex and Akx is a fiery political rap project that questions your understanding of the India we live in.
Kavita Seth talks about her newfound status as a music composer for Mira Nair’s A Suitable Boy, and what went into defining the character to whom she lent her voice.
